The Oxford Student

Where our global crisis really lies: on the US-Iran War

Saba Ahmadzadeh Noughani comments on the effects of the US-Iran war on the global economy, shedding light on the untold ...
The Oxford StudentOpinion

Oxford is all for free speech, as long as you agree with them

Lydia Armstrong discusses UK university 'free speech' policies, arguing that they enable and reward anti-trans viewpoints.
The Oxford StudentOpinion

A Brick of Cash in Damascus: Why the Syrian economy deserves more attention

Every morning, Syrians check the value of their currency. One morning it may be 11,000 lira to the dollar, a day later, ...
The Oxford Student

Comedy in reverse: A Midsummer Night’s Dream at the Oxford Playhouse

Flora Molnar reviews and analyses Headlong and Shakespeare Globe's subversive 2025-2026 production of 'A Midsummer Night's ...
The Oxford Student

Cynthia Erivo to visit Oxford Schwarzman Centre for the Humanities

Christine Savino writes about Cynthia Erivo's upcoming appearance at the Schwarzman Centre for the Humanities.
Opinion
The Oxford StudentOpinion

Thank you America, but SNL UK is a step too far.

Samuel Govier discusses the launch of SNL UK and whether Americanisms can ever become fully integrated in British culture.
The Oxford Student

An Interview with the Bodleian’s resident letterpress printer: Richard Lawrence

David Binks speaks with Richard Lawrence, a printer at the Bodleian Library, the University of Oxford's library system.
The Oxford Student

“Save the UPP!”: a conversation with Micaela Tuckwell

Nora Mackay speaks with Micaela Tuckwell, the Executive Director at the Ultimate Picture Palace, to discuss its space in the ...
The Oxford Student

Letters to her younger self? How Austen’s titles depict division

Austen is well-known as an innovator of the novel, and it is widely accepted that she was one of the first to have true “mastery” of the third person narrative. Now, with more adaptations of her ...